Perhaps they are best understood as the prospectus of a young man anxious to display his virtuosity, for it is only with the radical revisions carried out twelve years later for the Second Edition that we find any overt references to torture and punishment. The rather theatrical, two-dimensional treatment of the space is certainly reminiscent of a stage backdrop, complete with trompe-l'oeil effects and dramatic lighting. They show the influence both of his early training in stage design with the Bibiena family in Bologna, and his fascination with architecture, encouraged no doubt by his father's being a stone-mason. 1749-1761, etching, 54.5 x 41.5 cm, various collections. It seems likely that Carceri was at least some kind of influence on the artistic depiction of the insides of the Castle. Collection getty americana Digitizing sponsor Getty Research Institute Contributor Getty Research Institute Language Italian Originally issued 1750 or earlier with title: Invenzioni capric de carceri. Unlike the other thousand or so etchings he produced over forty years, which essentially set out to record the magnificence of Rome's imperial past and argue for the superiority of Roman culture over that of the Greeks, Piranesi refused to expand upon what these strange, haunting interiors were meant to signify. To enter Grgoire Duponds virtual environment of Piranesis Carceri dInvenzione is to penetrate what Margaret Yourcenar has called Piranesis dark brain. Download scientific diagram Giovanni Battista Piranesi, Carceri dInvenzione, plate VII, c. Carceri d'invenzione by Piranesi, Giovanni Battista, 1720-1778 Publication date 1761 Topics Prisons in art Publisher Rome : s.n. Piranesi Library's copy with: Opere varii di architettura prospettive grotteschi antichit sul gusto degli antichi romani, Rome, 1761 or after. This edition, with the etched title in the fourth state, as described by Hind and Robison Hind, A.M. The Carceri stands apart from the main body of Piranesi's work for several reasons, most important of which is the mystery surrounding the actual purpose of the series. Frontispice - plate I - Giovanni Battista Piranesi, Carceri dinvenzione or Imaginary Prisons, 1761 etching - Fine art print. Originally issued 1750 or earlier with title: Invenzioni capric de carceri.
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